b. 1-3
|
composition: Op. 64 No 1, Waltz in D♭ major
..
In the main text we include the fingering written in pencil in the first three bars of FED; it probably comes from Chopin. category imprint: Differences between sources |
||||||
b. 1
|
composition: Op. 64 No 1, Waltz in D♭ major
..
One can ponder whether three versions of the tempo indication of the Waltz reflect actual changes in the concept of performing the piece or whether they are only a proof of making the expression defining the tempo and the general character of the piece more precise. The editors of mUltimate Chopin tend toward the second possibility. category imprint: Differences between sources |
||||||
b. 1
|
composition: Op. 64 No 1, Waltz in D♭ major
..
The presentation autographs do not include the leggiero indication which Chopin introduced only at the time of preparing the Waltz for print. Cf. bar 21. category imprint: Differences between sources |
||||||
b. 1
|
composition: Op. 64 No 1, Waltz in D♭ major
..
In A Chopin undoubtedly wrote a long accent. In all editions and impressions of the Waltz, a short accent was placed. category imprint: Differences between sources issues: Long accents , Inaccuracies in FE |
||||||
b. 1-2
|
composition: Op. 64 No 1, Waltz in D♭ major
..
EEC arbitrarily added a indication between bars 1 and 2. category imprint: Differences between sources issues: EE revisions |